UNIVERSAL MUSIC THEORY 1
The Practical Fundamentals of Universal Creativity
DEUTSCHE FORSCHUNGSAKADEMIE DER SAKRALEN MUSIK
SCIENTIFICALLY INTRODUCING UNIVERSALITY TO THE UNIVERSITY
Faculties:
Music & Musicology
|
Philosophy
|
Medical Sciences
|
Education
|
Pythagoras
|
Consciousness
|
Humanities
|
Natural Sciences
|
The Dragon
|
The Veda
|
Culture
|
Opera & Arts
Home
Site Map
Motto
The Cosmic
Education Program
Introduction
Academic Institutes
Peter Hübner
Developer of the University
.
Faculty of
MUSIC & MUSICOLOGY
Theoretical Fundamentals
UNIVERSAL
MUSIC THEORY 1
I.
The Process of
Creating Music
II.
The Classical Teaching Scope of Music
III.
The Inner Mechanics
of Creating Music
IV.
Didactics of Music
V.
The Force-Fields in Music
VI.
The Purpose of
Music Tradition
VII.
Space and Time in Music
VIII.
The Physics of Music
IX.
The Systems of Order in Music
X.
Scientific Fundamentals of Music Aesthetics
XI.
The Science of Music
XII.
Music & Speech
.
.
PART XII
NATURAL MUSIC CREATION
MUSIC AND SPEECH
Speech
The Superiority of Music over the Language of Today
Fundamental Research
The Organ of Speech
The Smithy of Thought
Sovereignty over Bound and Free Creativity
The Dimension of Creative Unfoldment
Control over the World of Thinking
Content and Form, Meaning and Structure
The Share of the Senses of Perception in the Process of Gaining Knowledge
The Language of Music
How Our Ancestors Used Language
Conclusions from the Ancient Records
The Legacy of Our Ancestors
The Task Set by Our Ancestors
© 1998- WORLD UNION OF THE UNIVERSITIES OF ACADEMIC EXCELLENCE