DEUTSCHE FORSCHUNGSAKADEMIE DER SAKRALEN MUSIK
DEUTSCHE FORSCHUNGSAKADEMIE DER SAKRALEN MUSIK
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MUSIC & MUSICOLOGY
Theoretical Fundamentals

UNIVERSAL
MUSIC THEORY 1

XII.
MUSIC AND SPEECH

Speech

The Superiority of Music
over the Language of Today

Fundamental Research

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UNIVERSAL MUSIC THEORY 1
The Practical Fundamentals of Universal Creativity
  PART   XII            
  THE PROCESS OF CREATING MUSIC            
         
 
Fundamental Research


    
 
A va­ri­ety of com­po­nents can be found in speech which have a sub­stan­tial share in the proc­ess of its gen­era­tion and ap­pli­ca­tion; or which in one way or an­other are di­rectly re­lated to it:
  1. the or­gan of speech it­self – we dis­tin­guish be­tween the in­ner and the outer or­gan of speech;

  2. the me­chan­ics of the or­gan of speech, and the or­gans, or forces, in­volved in the gen­era­tion of speech;

  3. the proc­ess of ar­ticu­la­tion;

  4. the ar­ticu­lated; its con­tent and form – mean­ing and struc­ture, two­fold in­for­ma­tion: the phys­ics of the spo­ken word;

  5. the trans­for­ma­tion proc­ess from the in­ner speech to the outer speech, and the trans­for­ma­tion proc­ess from the in­ner hear­ing of mu­sic to its outer re­ali­za­tion;

  6. the mi­cro­cosm of speech and mu­sic;

  7. the mac­ro­cosm of speech and mu­sic;

  8. struc­tur­ing space and time in speech and mu­sic;

  9. the ana­lyti­cal as­pect of speech and mu­sic – diversification;

  10. the syn­the­sis of speech and mu­sic;

  11. the heri­tage of our an­ces­tors – a glimpse of the ex­ist­ing pos­si­bili­ties;

  12. the runes as the es­sence of lan­guage and com­mu­ni­ca­tion.

  
The Components which Define Speech
  
     
     
                                 
     
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
                                     
                                     
             
     
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