DEUTSCHE FORSCHUNGSAKADEMIE DER SAKRALEN MUSIK |
DEUTSCHE FORSCHUNGSAKADEMIE DER SAKRALEN MUSIK |
SCIENTIFICALLY INTRODUCING UNIVERSALITY TO ACADEMIC LIFE |
Faculties: Music & Musicology · Philosophy · Medical Sciences · Education · Pythagoras · Consciousness · Humanities · Natural Science · The Dragon · The Veda · Culture · Opera & Arts |
. | . | .Deutsche Übersetzung in Arbeit |
PART V | |||||||||||||||||||||||||||||||||||||
THE PROCESS OF CREATING MUSIC | |||||||||||||||||||||||||||||||||||||
The Musical Performers and Their Laws |
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The compositional parameters are: the motif, the sequence, and the harmony. The rules by which these parameters move find their expression in the motif-technique, in the sequence-technique, and in the harmony-technique. |
The Compositional Parameters |
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The range of application of these musical elements and the natural inner formative means related to them are: the applied motif-technique, the applied sequence-technique and the applied harmony-technique. |
The Range of Application of the Parameters |
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The sound-space, as the physiology of the composition, surrounds the compositional parameters and their function like a hull. |
The Physiology of Music |
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