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The Process of Musical Perception
Mind and Sense of Hearing as Musical Tools of
Cognition in Function
The structural comprehension of the musical sound-space
5.
7,
8,
6.
11,
7.
12,
8.
13,
9.
14,
10.
17,
18,
15.
25,
16.
26,
17.
29,
30
7.
12,
8.
13,
15.
25
4,
6-9,
11,
15-21
6.
11,
7.
12,
8.
13,
9.
14,
15.
25,
16.
26
5.
9,
6.
10,
11,
7.
12,
8.
13,
9.
14,
15,
10.
16,
15.
25,
16.
26,
27,
17.
28
1.-3.
3,
11.
21,
12.-14.
22,
18.
33,
19.
34
1.-3.
2,
3,
12.-14.
22,
23,
19.-21.
34,
35
6.
10,
11,
9.
14,
15,
16.
26,
27
5.
9,
6.
10,
10.
16,
17,
17.
28,
29
5.
6,
7,
10.
18,
19,
17.
30,
31
4.
4,
5,
11.
20,
21,
18.
32,
33
through our inner hearing
4.
5,
5.
6,
10.
19,
11.
20,
17.
31,
18.
32
is tied to the clarity of the representation
1.-3.
3,
11.
21,
12.-14.
22,
18.
33,
19.
34
of the sound
4.
4,
5,
11.
20,
21,
18.
32,
33
in our mind,
1.-3.
2,
3,
12.-14.
22,
23,
19.-21.
34,
35
and therefore depends primarily on the efficiency of our mind.
1.-3.
2,
3,
11.
21,
12.-14.
22,
23,
18.
33,
19.-21.
34,
35
4,
11,
18
But also it depends on the sensitivity of perception of our inner
sense of hearing
4.
5,
5.
6,
10.
19,
11.
20,
17.
31,
18.
32
on its alertness.
5.
7,
8,
6.
11,
7.
12,
8.
13,
9.
14,
10.
17,
18,
15.
25,
16.
26,
17.
29,
30
7.
12,
8.
13,
15.
25
4,
6-9,
11,
15-21
6.
11,
7.
12,
8.
13,
9.
14,
15.
25,
16.
26
5.
9,
6.
10,
11,
7.
12,
8.
13,
9.
14,
15,
10.
16,
15.
25,
16.
26,
27,
17.
28
1.-3.
3,
11.
21,
12.-14.
22,
18.
33,
19.
34
1.-3.
2,
3,
12.-14.
22,
23,
19.-21.
34,
35
4.
5,
5.
6,
10.
19,
11.
20,
17.
31,
18.
32
6.
10,
11,
9.
14,
15,
16.
26,
27
5.
9,
6.
10,
10.
16,
17,
17.
28,
29
5.
6,
7,
10.
18,
19,
17.
30,
31
4.
4,
5,
11.
20,
21,
18.
32,
33
1.-3.
1,
2,
12.-14.
23,
24,
19.-21.
35,
36