18. Intellectual Discrimination to Musical Motif-Space
Subject of Study 5
Scientifically Studying the Universal Differentiating Development
of Human Creativity – the Heaven – the Flying Aspect of the Dragon – within
our Cosmic Ability of Intellectual Discrimination
Through the Transition from the Field of Knowledge of our
Intellectual Understanding to the Field of Knowledge of the
Musical Motif-Space
During / by the Integrated Synthesis of Sound and Tone
Seminar Series
at the transition of sound and tone from the force-field of our understanding
to the force-field of the musical motif-space
at the transition of the voiced consonant and tone from the force-field of our
understanding to the force-field of the musical motif-space
at the transition of the unvoiced consonant and tone from the force-field of
our understanding to the force-field of the musical motif-space
at the transition of the formants and the overtone spectrum of the tone from
the force-field of our understanding to the force-field of the musical motif-space
at the transition of vowel and tone from the force-field of our understanding
to the force-field of the musical motif-space
at the transition of the overtone mechanics of sound and tone from the force-field
of our understanding to the force-field of the musical motif-space
at the transition of the decays of sound and tone from the force-field of our
understanding to the force-field of the musical motif-space
at the transition of the attacks of sound and tone from the force-field of our
understanding to the force-field of the musical motif-space
at the transition of the aperiodic vibrations of sound and tone from the force-field
of our understanding to the force-field of the musical motif-space
at the transition of the vibration sequences of sound and tone from the force-field
of our understanding to the force-field of the musical motif-space
at the transition of the periodic vibrations of sound and tone from the force-field
of our understanding to the force-field of the musical motif-space
at the transition of the overtone spectra of sound and tone from the force-field
of our understanding to the force-field of the musical motif-space
at the transition of basic sound and basic tone from the force-field of our understanding
to the force-field of the musical motif-space
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